Archive for May, 2005

Sarah McLachlan/The Perishers

Took in the Sarah McLachlan concert in Moncton last night. She put on a really good show, which was no surprise. I’ve been a fan since her first album, and her music’s never disappointed.

A high point was her acoustic performance of Angel, a song I’d never really noticed (from 1997’s Surfacing). It was clearly a crowd favourite.

A pleasant surprise was that the opening band was Swedish pop group The Perishers; a group I’d become aware of through an iTunes free download of the week a while back. The single was Sway, which was so good I went back and bought three more songs. They put a lot of energy into their performance (especially the drummer), and the audience really responded. What is it with Swedish bands and really catchy pop melodies?

The guys were signing CDs after the show, and they seemed genuinely happy to be there meeting people — no rock-star arrogance to be found.

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Obligatory Revenge of the Sith Review

I think we can all agree that nobody needs another online review of Star Wars Episode III Revenge of the Sith.

So here’s mine: I thought it was great.

Now, I’m no drooling fan-boy. When I first saw The Phantom Menace, I was a little underwhelmed. Jar Jar aside (and he really didn’t bother me much), it was lacking the swash-buckling charm of Star Wars. In other words, there was no Harrison Ford on set fixing Lucas’ dialog. It felt like it was missing a third act. Overall, though, it wasn’t nearly as bad as many claim. Those who were most upset about Jar Jar’s childish antics spoiling their serious science-fiction movie are mostly in denial about their well-worn Ewok pillow-cases.

2002’s Attack of the Clones was more coherent, more action-packed, and having a central character that wasn’t a 10-year-old boy certainly helped; but despite Lucas’ claims that “it’s all about the pictures”, when the pictures are interspersed with painful dialog delivered by actors we all know to be more talented than the material it isn’t that satisfying, is it?

This time around the acting is much improved, and where The Phantom Menace suffered from endless exposition (”trade blockades”? “taxation of trade routes”?), in Revenge of the Sith it’s no more than is necessary and it actually serves to convincingly explain Anakin’s turn to the Dark Side. Ian MacDiarmid’s pivotal performance struck just the right tone and powerfully echoed his work more than 20 years ago in Return of the Jedi.

Minor Quibbles:

While the special effects were stunning overall, I’m still not completely won over by the digital Yoda. It’s not his performance I find objectionable; it’s the lighting. He rarely matches the environment he’s being composited into, and it derails those shots. Perhaps Yoda has his own personal bounce-card to improve his lighting… It’s as if someone felt it was more important that we be able to fully appreciate his whispy CG hair than for him to actually look like he was simply filmed alongside the actors on-set. I’d like the puppet back for the close-ups, please.

And backwards-talking Yoda may be, but to a distracting extreme has it been taken. In Empire it was quaint and used judiciously. It’s not just that the novelty’s gone; it’s gotten a bit silly.

Palpatine uses the m-word (midichlorians). First rule of myth-making? Don’t explain it away with a pseudo-biology term. “The Force? Oh, that’s just midichlorians…

From the trailers, you could be forgiven if you’d gotten the impression that the Wookiees played a significant role in the movie. Or some role, even. You’d be wrong. I think cameo would be the appropriate term. Chewie gets more screen-time in the Burger King commericals.

I thought Anakin went from “What have I done?” to “where do I sign up for indentured servitude?” too quickly. And he went from toasted marshmallow to Dark Knight in shining armour too quickly, too. Considering that it took nearly six hours of build-up, another minute or two on the actual fall to the dark side (psychological and physical) might have been in order.

With this list of issues, you’d get the impression that I didn’t like the film. I did; I think it’s the strongest entry in the saga since The Empire Strikes Back.

I’m sure some of these things will be fixed on the DVD. But what do I know? I’m just criticizing from the cheap seats.

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FontLab Buys Fontographer

Macromedia (soon to be Adobe) has finally done something useful with Fontographer. After 10 years of stagnation, they’ve sold it to FontLab, and FontLab has plans:

Our first priority will be to undertake such an upgrade to make Fontographer completely compatible with Macintosh OS X and Windows XP.

Bravo! Can’t wait to see it.

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Hilary Rosen’s At It Again

Hilary Rosen wants Apple to open up the iPod to other people’s music stores. What a tired, old chorus.

Why don’t the Hilary Rosens of the world rail against Microsoft’s lock on the Office format, DVD encryption or — while we’re talking about digital music — Windows Media DRM?

These are restrictive formats that prevent universal interoperability, too, but apparently Apple is the only company with a moral duty to roll over and play dead the instant they enjoy any success. After all, conventional wisdom dictates that Apple can’t possibly succeed.

When the market chooses Windows (”chooses” being a term I would use loosely in this context), capitalism and convenient theories of market forces are proven right, and all is well with the world. When the market chooses iPod/iTunes, something is clearly wrong. Hilary Rosen must think that consumers are too dumb to be allowed to choose something based purely on its own merits. I wonder why that is?

Keep in mind that while Rosen is proposing opening up the iPod to other online stores, they all use a single digital rights management platform; Microsoft’s.

What’s so compelling about Wal-Mart’s online store? Or PureTracks? They force me to use an operating system, a web browser and crappy portable players I don’t want to use. Does anyone remember any antitrust convictions related to Rosen’s white knight? I don’t see the attraction — or the championing of consumer choice in this proposed alternative.

Maybe if Apple had illegally coerced everyone into loving their iPods people like Rosen would be happier.

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